Launched in February 2011, the Sigma 50-150mm f/2.8 EX DC APO OS HSM is a trans-standard zoom lens aimed at APS-C camera users. On these APS-C models, the crop factor of the sensor (1.5x ...
Most manufacturers have a lens that gets bundled with their cameras to make a ‘Kit’, and Nikon is no exception, but when its full frame cameras are beginning to be accessible to the consumer ...
Nikon’s flagship medium range telephoto lens the Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II offers a versatile focal range, great features and top-class optical quality. Costing $2,400 it’s an expensive option however, and ...
Launched in February 2012 the Tamron SP 24-70mm f/2.8 Di VC USD is a ‘fast’ standard zoom available in Nikon, Sony and Canon lens mounts. On full frame DSLRs its wide-angle through to short ...
A battle rages in the hybrid camera sector between the Sony NEX Range with their APS-C sensors and the Micro Four-Thirds cameras. With interchangeable lenses for each the quality is not necessarily fixed when ...
The last in our four-part series on choosing the best lenses for your Canon EOS 5D Mk III concentrates on wide-angle zooms and primes. Mounted on the 22.3 Mpix EOS 5D Mk III, we’ve ...
There are only a small proportion of photographers who can really justify buying a lens that costs the same as a small car, but if you really need a 400mm f2.8 lens then the ...
The third of our four-part series on choosing the best lenses for your Canon EOS 5D Mk III concentrates on fixed focal length telephotos and super- zooms up to 300mm. Mounted to the 22.3 ...
Introduced in 2007 alongside the AF-S Nikkor 24-70mm f/2.8G ED and Nikon’s first full-frame DSLR – the 12-megapixel Nikon D3 – this lens was a first of its kind and set new standards for ...
In this final section of the Nikon D800 lens test review, we’ll be looking at the wide-angle lenses. For clarity, we are classing any lens with a focal length up to 35mm as wide-angle. ...
This is the second part of the Canon EOS 5D Mk III and lens feature, where we’ll be looking at how the camera performs with standard, fixed focal length lenses and zooms. We’ve measured ...
For shooting high quality landscape, architectural or interior photos, a “fast” wide-angle prime is a must. They offer significantly improved optical performance over many zooms that, while versatile, often suffer distortion and edge softness ...
The Micro 4:3 market is full of technology, each new generation apparently having some new enhancement, with a new, more superlative name. Panasonic is no different, but this new Lumix G VARIO 14-42 f3.5-5.6 ...
The second in our series of selecting the best-quality lenses for your camera concentrates on one of the most highly-anticipated cameras of our time, the successor to the hugely popular EOS 5D Mark II. ...
In this third section of the Nikon D800 review, we’ll be looking at the telephoto lenses. These are models with a focal range of 70-200mm or 70-300mm and we have also included the super-zoom ...
Sony is often quoted as having aspirations to rival Nikon and Canon but, since taking over the SLR business of Konica Minolta, has so far shown only a handful of pro-grade lenses. The SAL500F40G ...
The Micro 4:3 market is maturing nicely: there are products available now to suit a wide range of needs. Up to now the upper end of this sector consisted entirely of fixed focal length ...
After years of unadventurous, unexciting “slow” speed zooms “fast”, high-quality primes are experiencing a comeback thanks to the popularity of full-frame DSLRs and the merging of video capture. The moderately wide 35mm focal length ...
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